HDSLR Cinematography

Target Audience:

DP's ,Videographers,Directors

Duration :

2 days

Class Size:

4-8 people


Format :

1st Day - 1/2 day indoor theory/presentation classes & 1/2 day outdoor shoot
2nd Day - 1/2 day outdoor shoot & 1/2 day review

Cost

S$1500 per person

MDA subsidies of up to  90% are available for Singaporeans and PR media practitioners who attend any or all of our S3D classes. Attendees pay the subsidised rate while  MDA would pay the remaining amount  to AV8 through Six Degrees..

Please note that availability and amount of subsidy is determined by MDA and Six Degrees

Media freelancers can also apply for  a training allowance of S$ 60 per day.


Equipment & Requirements

• Possess intermediate to advanced videography experience
• Preferably already own a HDSLR camera & lens. This is not essential
though.
• Professional HDSLR equipment will be provided


Attendees are more than welcome to bring your own equipment and lenses. A
significant part of this workshop involves outdoor shooting. Locations will be
within walking distance of AV8 Media . As such,participants should dress
comfortably and be prepared to carry their own equipment. With Singapore's
weather being what It is,it would also advisable to be prepared for wet weather(umbrella/raincoat etc)


Workshop Outline

Introduction
    - What is a 'High Definition Single Lens Reflex' camera?
    - Characteristics, Form & Functions of the HDSLR

Digital Cinematography on the HDSLR Platform
    - ISO Film Speed & Noise (vs Gain Settings)
    - Bokeh
    - The HDSLR Electronic Shutter Speed
    - Frame Rates
    - Progressive vs Interlace
    - Compressions & Bitrates

DSLR Models & Other Cameras
    - The Image Sensor
    - The DSLR Sensor - What is 'Full Frame'?
    - Sensor Size & Price Comparision

Video Characteristics of DSLRs
    - Defective Pixels
    - Aliasing & Moire
    - Rolling Shutter Effects
    - Overheating
    - HDMI Output

Choosing the Right Lens
    - Primes
    - Zooms
    - Still Photography vs Cine Lens
    - Crop Factor & Focal Length Multiplier
    - Lens Review by Shane Hurlbut (excerpt taken from Shane Hurlbut, ASC)

Storage
    - Choosing the right Compact Flash Card
    - Transferring Files
    - Data Wrangling

Audio Support for the DSLR
    - On Camera & Separate System Audio Recording

Customizing/Modifying your DSLR
    - Transforming the DSLR
    - Base Systems & Cages
    - Handheld Rigs
    - Focus Systems
    - Mattebox / Filter Holders
    - DSLR  Viewfinders
    - Electronic Viewfinders
    - Field Monitors (HDMI)
    - Manual Sliders
    - Motion Control Sliders
    - Customized Helmet Mounts
    - Tyler MiniGyro
    - RC Helicopter Rigs
    - Stadicam Rigs (Glidegam)

Shooting with the DSLR - Functions, Rules & Tips
    - Focusing with Photography Lens
    - Locking the Shutter Speed
    - Neutral Density Filters
    - Controlling the F/Stop
    - Disabling Auto Functions
    - White Balance
    - Canon DSLR Electronic ISO & Noise Levels
    - Panning
    - Understanding & Optimizing the Picture Styles
    - Stretching the Latitude ('Shooting for Post')
    - Choosing the Right Picture Style
    - Using & Understanding the Histogram
    - Shooting Time Lapse
    - Getting the 'Right Gear for the Right Job'

Post Production Workflow
    - H.264 Native Video Recording
    - Transcoding Methods
    - The DSLR Post Workflow
    - Image Correction Softwares & Plug-Ins
    - Basic Editing
    - Basic Coloring & Exporting
    - Advanced Time Lapse (HDR & Post Production)

Conclusion
    - Understanding & Working with the DSLR
    - Maximizing the DSLR's potential
    - Current & Future Role of the HDSLR

About the Instructor

Lim Teck Siang has been active in the local film industry for several years, taking on a multitude of roles in pursuit of his passion for film. His early professional experience includes working on feature films such as Kelvin Tong’s 'Kidnapper', Royston Tan’s ‘Getai’ double-bill '881' and '12 Lotus', on top of numerous commercials, short films, and print advertisements.

At the 23rd Singapore International Film Festival in 2010, his camerawork for ‘Mu Dan' was awarded Best Cinematography (Short Film Category) at the Silver Screen Awards. 'Mu Dan' also garnered Best Performance. 'Promises In December', which won the Best Film and Best Director awards, was also lensed by Teck Siang.

He has worked with with a variety of formats including film,and the RED One and is an early adopter of the HDSLR,having shot documentaries, short films, corporate work and commercials on the Canon 5D/7D.His showreel can be seen at http://framesinmotion.wordpress.com/showreel-2009/